Stellar Equipment Stellar Equipment
In the Field
6 min

Alexandra van Zyl

While learning from nature, she shapes mountain landscapes – and perhaps cultures.
Words by
Lisa Richardson
Photos by
Robin O’Neill
May 11, 2023

Alexandra van Zyl doesn’t look like a person who would make a study of grief their thesis project. Just shy of six feet tall, blonde, and willowy, with an easy laugh and an unplaceable post-global accent, the 30-year-old is articulate and thoughtful – lighting up when she talks about a cycle-touring adventure, her summer lake-swimming routine, or the mind-clearing effect of living beside an estuary on the southernmost fjord in British Columbia.

But she often thinks about loss and is gut-punched at the thought of glacial retreat and clear-cuts.

Stellar Equipment Stellar Equipment
1/4
1/4

Estuaries for calm. “There’s something about looking into the calming distance — a big expanse of something simple. And it’s monochrome. Contemplation requires stripping away all the distractions — even an abundance of colour. It’s why the fall and spring are my favourites.”

Read more

Estuaries for calm. “There’s something about looking into the calming distance — a big expanse of something simple. And it’s monochrome. Contemplation requires stripping away all the distractions — even an abundance of colour. It’s why the fall and spring are my favourites.”

Read more
Stellar Equipment Stellar Equipment
2/4
2/4

Born in Zimbabwe and raised in Holland and South Africa before emigrating to Canada, van Zyl finally found her happy place in Squamish, B.C. She lives by the estuary, a south-facing fjord, where the glaciers and alpine melt of Whistler and the Coast Mountains become sea. “I felt at home the first day I got here.”

Read more

Born in Zimbabwe and raised in Holland and South Africa before emigrating to Canada, van Zyl finally found her happy place in Squamish, B.C. She lives by the estuary, a south-facing fjord, where the glaciers and alpine melt of Whistler and the Coast Mountains become sea. “I felt at home the first day I got here.”

Read more
Stellar Equipment Stellar Equipment
3/4
3/4
Stellar Equipment Stellar Equipment
4/4
4/4
“Sadness and grief and guilt give you the ability to feel the lightness. I think you can have a richer experience of place when you can acknowledge the co-existence of joy and loss.”
Alexandra van Zyl

Van Zyl first thought about glacial retreat while pursuing her master’s degree in science in landscape architecture in the Netherlands. Community members near Switzerland’s Rhône Glacier had taken to tucking fleecy white blankets over the ice in a bid to stave off its rapid disappearance. She was incredulous … and very moved. It propelled her next step — a thesis inquiry that took her to New Zealand to study at the receding toe of Haupapa/Tasman, the country’s longest glacier in the Aoraki Mount Cook National Park and led to the publication last year in one of the most prestigious landscape architecture journals in Europe.

Stellar Equipment Stellar Equipment
1/1
1/1

In her Master of Science thesis, “Tribute to a Glacier: Designing a Landscape for melancholic contemplation,” van Zyl confesses to the question that haunts her: “What would happen if we memorialized a glacier? Acknowledged that we grieve the loss? The problem of glacier loss is massive, wicked, and accelerating, and yet “engagement still appears to be the exception.”

Read more

In her Master of Science thesis, “Tribute to a Glacier: Designing a Landscape for melancholic contemplation,” van Zyl confesses to the question that haunts her: “What would happen if we memorialized a glacier? Acknowledged that we grieve the loss? The problem of glacier loss is massive, wicked, and accelerating, and yet “engagement still appears to be the exception.”

Read more

She no longer closely tracks glacial retreats around the world. “Glaciers, for me, are an obvious example of watching something happen because of our highly industrial culture — you feel you can’t do anything about it. How do you navigate that?”

For her part, van Zyl reads the Stoics, practices meditation, and runs along the estuary. “I don’t have all the answers.” But she doesn’t pretend it’s not happening. She’s curious about how we could design better responses.

Stellar Equipment Stellar Equipment
1/1
Stellar Equipment Stellar Equipment
1/1

She gets to indulge this curiosity in her work with Tom Barratt Landscape Architects — the firm that designed Whistler’s iconic Valley trail, a network of valley floor trails that radically de-centred the automobile in Whistler’s early development, connecting neighbourhoods, lakes and parks with pathways that have been imitated and emulated in countless resorts.

Van Zyl’s work is based on the concept that we don’t just shape place. Places shape us. We are constantly influencing each other. Landscape architects are just more intentional about it than most. So when considering the shapers of mountain culture — the athletes, guides, photographers, gear designers and trail builders —we would do well to include landscape architects as key influencers. “We’re in the background thinking of the most meaningful way for people to interact with spaces. Every space you walk through or interact with affects you,” says van Zyl. “You affect each other mutually.”

Stellar Equipment Stellar Equipment
1/3
1/3

Why draw? “Everything else fades away when you must understand what’s right in front of you. In drawing it, you reveal something else about the place you’re in that you might not have seen otherwise.”

Read more

Why draw? “Everything else fades away when you must understand what’s right in front of you. In drawing it, you reveal something else about the place you’re in that you might not have seen otherwise.”

Read more
Stellar Equipment Stellar Equipment
2/3
2/3
Stellar Equipment Stellar Equipment
3/3
3/3

This was the essence of Darwin’s theory of evolution – the fittest for their place are the ones that survive and flourish. Some are taking this fundamental idea one step further through the concept of biomimicry — a term popularized by self-proclaimed “nature nerd” and biologist Janine Benyus to describe how we can use strategies found in nature to solve human design challenges and foster hope.

This resonates with van Zyl — a woman who has lived in the savannah landscape of Zimbabwe, the below-sea-level cities of the Netherlands, the ski towns of the Canadian Rockies, the most magical places in the world are its alpine environments – the least shaped by the human impact because they’re so inhospitable to our long-term presence.

Stellar Equipment Stellar Equipment
1/3
1/3

Layers of landscape systems. “In design, you must simplify it whenever you want to decide on something big. You can split a landscape into its layers — topography, water, aspect, vegetation, and how people move through it. You can make decisions about it by pulling it apart and then putting it back together.”

Read more

Layers of landscape systems. “In design, you must simplify it whenever you want to decide on something big. You can split a landscape into its layers — topography, water, aspect, vegetation, and how people move through it. You can make decisions about it by pulling it apart and then putting it back together.”

Read more
Stellar Equipment Stellar Equipment
2/3
2/3

“Landscape architects are problem-solvers. But nothing is a problem until you add humans to the system. So, we take all the things people like to call problems and try to morph them into something beautiful and functional that works on many levels, including how people experience it.”

Read more

“Landscape architects are problem-solvers. But nothing is a problem until you add humans to the system. So, we take all the things people like to call problems and try to morph them into something beautiful and functional that works on many levels, including how people experience it.”

Read more
Stellar Equipment Stellar Equipment
3/3
3/3

“There is something about being in a space where everything has to work hard to stay alive. It’s rocky, bare, and rough. You feel quite exposed. The plants are small and tough if there are any plants at all. It’s counter to your daily life,” says van Zyl. “It’s not where I’d go to live but where I go out to seek out the intangible. The quiet.”

The long age of glaciers, the evidence of the primal elements grinding and etching and sculpting entire mountainsides, is an encounter that can right-size us two-footed ones — if we allow our egos to course-correct from conqueror to the fleeting observer, to drop back into the vaster lineage of deep time, where our awe can grow, and our self-importance can shrink. “I think many people feel small when they enter these places,” says van Zyl. In this day and age, that is very, very good. It’s counter-intuitive but a practical prescription for addressing climate grief and human impact. Go to a place you feel small, naturally, such as in the mountains.

Stellar Equipment
Lisa Richardson is a Brisbane-raised lawyer who traded robes for a ski instructor's suit in the mid-90s on a sabbatical in Whistler that never ended. She’s been enthusiastically writing mountain culture dispatches ever since. She lives as a guest on the unceded lands of the Lil’wat Nation, on the outskirts of the community known as Pemberton, British Columbia, and is trying to grow the perfect potato.
Alexandra van Zyl
You are using an outdated browser. Please upgrade your browser to improve your experience.